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Silencio
29th October 2010, 11:43
Sacred geometry involves sacred universal patterns used in the design of everything in our reality (http://www.crystalinks.com/reality.html), most often seen in sacred architecture and sacred art. The basic belief is that geometry and mathematical ratios, harmonics and proportion are also found in music, light, cosmology. This value system is seen as widespread even in prehistory, a cultural universal of the human condition. It is considered foundational to building sacred structures such as temples, mosques, megaliths, monuments and churches; sacred spaces such as altars, temenoi and tabernacles; meeting places such as sacred groves, village greens and holy wells and the creation of religious art, iconography and using "divine" proportions. Alternatively, sacred geometry based arts may be ephemeral, such as visualization, sand painting and medicine wheels. (http://www.crystalinks.com/medicinewheel.html)
Sacred geometry may be understood as a worldview of pattern recognition, a complex system of religious symbols and structures involving space, time and form. According to this view the basic patterns of existence are perceived as sacred. By connecting with these, a believer contemplates the Great Mysteries, and the Great Design. By studying the nature of these patterns, forms and relationships and their connections, insight may be gained into the mysteries - the laws and lore of the Universe.





Cosmology (http://www.crystalinks.com/cosmology.html) At least as late as Johannes Kepler (http://www.crystalinks.com/harmonyspheres.html) (1571-1630), a belief in the geometric underpinnings of the cosmos persisted among scientists. Kepler explored the ratios of the planetary orbits, at first in two dimensions (having spotted that the ratio of the orbits of Jupiter and Saturn approximate to the in-circle and out-circle of an equilateral triangle). When this did not give him a neat enough outcome, he tried using the Platonic solids. In fact, planetary orbits can be related using two-dimensional geometric figures, but the figures do not occur in a particularly neat order. Even in his own lifetime (with less accurate data than we now possess) Kepler could see that the fit of the Platonic solids was imperfect. However, other geometric configurations are possible.




Natural Forms http://www.crystalinks.com/goldenproportion907.jpg
Many forms observed in nature can be related to geometry (for sound reasons of resource optimization). For example, the chambered nautilus grows at a constant rate and so its shell forms a logarithmic spiral to accommodate that growth without changing shape. Also, honeybees construct hexagonal cells to hold their honey. These and other correspondences are seen by believers in sacred geometry to be further proof of the cosmic significance of geometric forms. But some scientists see such phenomena as the logical outcome of natural principles.


Contemporary Usage A contemporary usage of the term sacred geometry describes New Age and occult assertions of a mathematical order to the intrinsic nature of the universe. Scientists see the same geometric and mathematical patterns as arising directly from natural principles. Some of the most prevalent traditional geometric forms ascribed to sacred geometry include the sine wave, the sphere, the vesica pisces (http://www.crystalinks.com/vesicapisces.html), the 5 platonic solids, the torus (http://www.crystalinks.com/tubetorus.html) (donut), the tesseract (4-dimensional cube), and the merkaba (http://www.crystalinks.com/merkaba.html) (2 oppositely oriented and interpenetrating tetrahedrons), and the golden spiral/ratio (http://en.wikipedia.org/wiki/Golden_ratio). Some believers of sacred geometry also see patterns in crop circles (http://www.crystalinks.com/cropcircles.html) and in ancient architecture.





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Vriendelike groete
Silencio